have appeared at such venues as Joe’s Pub (NYC), MASS MoCA (North Adams, MA) and the Market Theater (Johannesburg, South Africa). Their music has been featured on So You Think You Can Dance (FOX) and in The Lucky Ones (Ars Nova); Anything that Gives Off Light (National Theatre of Scotland/The Team); Sundown, Yellow Moon (Ars Nova/WP); Hurricane Diane (NYTW/WP, Two River Theatre); you’ll still call me by name (New York Live Arts, Jacob’s Pillow) and Iphigenia in Aulis (Classic Stage Company). They have been nominated for the Drama Desk, Drama League and Lucille Lortel awards. Abigail Nessen Bengson has toured as a member of tUnE-yArDs, including an appearance on Late Night with Jimmy Fallon.


Ms. Gancher’s writing has been seen on such stages as London’s National Theatre, Edinburgh’s Traverse Theatre, The Public Theater, New York Theatre Workshop, Steppenwolf, Seattle Rep, Hartford Stage, RoundHouse, Ars Nova and The Flea. Honors include New York Stage and Film Founder’s Award, Edgerton Foundation New Play Award, AR Gurney Prize, Lortel and Drama League nominations. With The Bengsons, she also wrote The Lucky Ones. Co-writer of The TEAM’s Mission Drift (Edinburgh International Festival Fringe Prize, Scotsman Fringe First, Herald Angel; international tour to Europe, Asia and Australia). Alumna: P73, Playwrights Realm Writing Fellows, Women’s Project Lab and Ars Nova Play Group. Resident playwright at New Dramatists. M.F.A.: NYU.


is a director and performer working in Chicago and New York. They build original experiences that often combine nightclub culture with performance art as well as classic stories, and their work takes inspiration from Weimar Germany, Pierrot clowns, and golden age musicals. They have been featured at Steppenwolf Theatre Company, the Museum of Contemporary Art Chicago, School of the Art Institute of Chicago, Disco Dining Club (Los Angeles), Boy Friday Dance Company, and Bushwig Festival of Drag, among many others. They are a coproducer of the monthly shows GODDESS at Berlin Nightclub and Delirium: A Bohemian CabaRave at The Newport Theater, and they are a cohost of The Tea Podcast. They hold an MFA in Directing for Theater from Northwestern University.


Matthew Muñiz is a pianist, composer, songwriter and teacher. He’s a company member with The House Theatre of Chicago, where his music direction and performance credits include The Nutcracker (2010-2018), Verböten (2020), United Flight 232 (2016), The Great and Terrible Wizard of Oz (2017), and Hatfield & McCoy (2018). As a composer, he most recently created music for The House Theatre’s production of Pinocchio (2019). His work has appeared in two short films and in one feature-length zombie horror flick, and in plays and podcasts. In 2013, he produced and released a full-length album of his songs with his band, The Live Debate! (available on all streaming services). His music can be heard in The Last Defender, an Escape created with Cards Against Humanity, and in the upcoming Escape, Nova to Lodestar. When Matthew isn’t making music, he’s probably making (or playing) games himself.


Collin Quinn Rice (they/them) is a queer actor, dancer, and multi-media artist based in Chicago. Recent movement credits include The Hilary Duff Projectv (2017 & 2020); The Dog, The Night, and The Knife; Disco Pigs (Silencio); and Big Love (Wirtz Center for the Performing Arts). They were most recently seen as an actor in The Tasters (Rivendell), All Quiet on the Western Front (Red Tape Theatre), Mike Pence Sex Dream (First Floor Theater), The Harvest (Griffin Theatre Co.), Hatfield & McCoy (The House), Le Switch (About Face Theatre), Masque Macabre (Strawdog Theatre Company), Going to a Place… (Redtwist Theatre), and The Ode at Pint’s End (Birch House Immersive). Film credits include The Right Swipe and The Play Cycle. Collin is a graduate of Northwestern University, and they are represented by Big Mouth Talent. Collin also moonlights as a headshot photographer—their comprehensive work can be found at